{"id":163,"date":"2022-06-20T11:26:57","date_gmt":"2022-06-20T11:26:57","guid":{"rendered":"https:\/\/kgtwrites.com\/?p=163"},"modified":"2022-06-20T12:21:30","modified_gmt":"2022-06-20T12:21:30","slug":"killing-it","status":"publish","type":"post","link":"https:\/\/kgtwrites.com\/?p=163","title":{"rendered":"Killing It"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"163\" class=\"elementor elementor-163\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-04134a8 elementor-section-boxed elementor-section-height-default elementor-section-height-default wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no wpr-equal-height-no\" data-id=\"04134a8\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-1b9a822\" data-id=\"1b9a822\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-c9cfc7a elementor-widget elementor-widget-image\" data-id=\"c9cfc7a\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/kgtwrites.com\/wp-content\/uploads\/2022\/06\/Killing-It-300x300.png\" class=\"attachment-medium size-medium wp-image-118\" alt=\"\" srcset=\"https:\/\/kgtwrites.com\/wp-content\/uploads\/2022\/06\/Killing-It-300x300.png 300w, https:\/\/kgtwrites.com\/wp-content\/uploads\/2022\/06\/Killing-It-150x150.png 150w, https:\/\/kgtwrites.com\/wp-content\/uploads\/2022\/06\/Killing-It-75x75.png 75w, https:\/\/kgtwrites.com\/wp-content\/uploads\/2022\/06\/Killing-It.png 500w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-2ae997a elementor-section-boxed elementor-section-height-default elementor-section-height-default wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no wpr-equal-height-no\" data-id=\"2ae997a\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-3b2d064\" data-id=\"3b2d064\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-1559de0 elementor-widget elementor-widget-pdf_viewer\" data-id=\"1559de0\" data-element_type=\"widget\" data-widget_type=\"pdf_viewer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<iframe src=\"https:\/\/docs.google.com\/viewer?url=http:\/\/kgtwrites.com\/wp-content\/uploads\/2022\/06\/Killing-It-V2_removed_watermark.pdf&amp;embedded=true\" style=\"display: block; margin-left: auto; margin-right: auto; width: 640px; height: 1020px;\" frameborder=\"1\" marginheight=\"0px\" marginwidth=\"0px\" allowfullscreen><\/iframe>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-162139c elementor-section-boxed elementor-section-height-default elementor-section-height-default wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no wpr-equal-height-no\" data-id=\"162139c\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-0069325\" data-id=\"0069325\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4629a4a elementor-widget elementor-widget-text-editor\" data-id=\"4629a4a\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><em>Killing It<\/em> is a short thriller which delves into the psyche of Imogene, a self-stylised hero determined to save her friends from the harsh reality of modern living.<\/p><p>The theme of <em>Killing It<\/em> is centred around the morality of the individuals. Imogene sees herself as the saviour of her friends by whisking them away from the heartache and the very real dangers many women face in modern living. Though Imogene\u2019s actions are reprehensible, her motivations are initially sympathetic, even relatable, especially by a female audience. It plays with the reality that it is not easy to watch friends suffer, and that the lengths one may go to in order protect loved ones can be surprising.<\/p><p>However, Imogene\u2019s conflict with Jordan throughout the second half of the script brings the audience back to the reality of what Imogene has done, alongside some uncomfortable questions. How righteous are Imogene\u2019s actions in her own mind? Is she getting more out of the murders than she is leading the audience to believe? With this tonal shift, the audience is left to wonder if they are still witnessing Imogene\u2019s perceived moral justice or her hidden pursuit of pleasure.<\/p><p>Influenced by films such as <em>American Psycho<\/em> and <em>The Voices<\/em>, Imogene\u2019s horrific actions are centred within a bubble of mundanity. The kitchen is the focal point, a recognisable feature in any home, which often plays host to communal gatherings of friendship and family. As with Patrick Bateman, who dresses himself for murder in the midst of a dialogue regarding Huey Lewis and the News, Imogene can be seen contemplating the sharpness of the knife in her hands as she and Katy talk about work and relationships. Though she seemingly pushes for reasons not to go through with the act, it is with a smile that she departs the kitchen.<\/p><p>Imogene\u2019s conflict with Jordan and, ultimately, herself, can be seen reflected in the way that Jerry, the hapless yet likeable lead in <em>The Voices<\/em>, debates his own moral standing by conversing with his pets. The manifested voices of Mr. Whiskers and Bosco act almost as the devil and the angel perching on Jerry\u2019s shoulders and his conversations with his previously murdered victims go a long way into disguising the true state, not only Jerry\u2019s apartment but of his mind. Jordan\u2019s appearance is initially angelic, bright with clean lines that bleed into the reality of what was done to her. Jordan\u2019s shift in appearance strengthens as Imogene\u2019s hold on her perceived truth lessens until Imogene must confront her own actions.<\/p><p>The final moments of <em>Killing It<\/em> reinforce the uncertainty felt throughout the film, inviting the audience to not only question Imogene\u2019s morality, but to consider what impact this has had on her perception of reality.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Killing It is a short thriller which delves into the psyche of Imogene, a self-stylised hero determined to save her friends from the harsh reality of modern living. The theme of Killing It is centred around the morality of the individuals. Imogene sees herself as the saviour of her friends by whisking them away from the heartache and the very real dangers many women face in modern living. Though Imogene\u2019s actions are reprehensible, her motivations are initially sympathetic, even relatable, especially by a female audience. It plays with the reality that it is not easy to watch friends suffer, and that the lengths one may go to in order protect loved ones can be surprising. However, Imogene\u2019s conflict with Jordan throughout the second half of the script brings the audience back to the reality of what Imogene has done, alongside some uncomfortable questions. How righteous are Imogene\u2019s actions in her own mind? Is she getting more out of the murders than she is leading the audience to believe? With this tonal shift, the audience is left to wonder if they are still witnessing Imogene\u2019s perceived moral justice or her hidden pursuit of pleasure. Influenced by films such as American Psycho and The Voices, Imogene\u2019s horrific actions are centred within a bubble of mundanity. The kitchen is the focal point, a recognisable feature in any home, which often plays host to communal gatherings of friendship and family. As with Patrick Bateman, who dresses himself for murder in the midst of a dialogue regarding Huey Lewis and the News, Imogene can be seen contemplating the sharpness of the knife in her hands as she and Katy talk about work and relationships. Though she seemingly pushes for reasons not to go through with the act, it is with a smile that she departs the kitchen. Imogene\u2019s conflict with Jordan and, ultimately, herself, can be seen reflected in the way that Jerry, the hapless yet likeable lead in The Voices, debates his own moral standing by conversing with his pets. The manifested voices of Mr. Whiskers and Bosco act almost as the devil and the angel perching on Jerry\u2019s shoulders and his conversations with his previously murdered victims go a long way into disguising the true state, not only Jerry\u2019s apartment but of his mind. Jordan\u2019s appearance is initially angelic, bright with clean lines that bleed into the reality of what was done to her. Jordan\u2019s shift in appearance strengthens as Imogene\u2019s hold on her perceived truth lessens until Imogene must confront her own actions. The final moments of Killing It reinforce the uncertainty felt throughout the film, inviting the audience to not only question Imogene\u2019s morality, but to consider what impact this has had on her perception of reality.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[11],"tags":[],"class_list":["post-163","post","type-post","status-publish","format-standard","hentry","category-scriptwriting"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Killing It - KGT Writes<\/title>\n<meta name=\"description\" content=\"Excerpt from Kimberly Grant-Thomson&#039;s short film, Killing It, which was created as part of her MA in Writing for Script and Screen\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kgtwrites.com\/?p=163\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Killing It - 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